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Claude Cut turns a raw talking-head take into a clean rough cut. It transcribes your sequence, then an AI reads the whole transcript and decides which segments belong in the final video — dropping the mic checks, the retakes, the “wait, let me say that again”, and the dead air between words. You review everything as editable text before a single frame is touched. Nothing is applied until you click Apply Cut. Works in Premiere Pro and DaVinci Resolve.
Claude Cut is built for single-speaker footage: YouTube monologues, founder explainers, video essays, course modules, interview answers. It is not a multicam or dialogue-scene tool.

Quick Start

1

Open the tool

Open Claude Cut from the Tools Menu. Your sequence must be open, with at least one audio track carrying the voice.
2

Pick a model

Choose the AI model in the Model box (top left). Sonnet 5 is the default.
3

Click Analyze

The green Analyze button runs the whole pipeline on its own: silence detection → transcription → AI analysis. Leave the app alone while the progress modal is up.
4

Review the transcript

Segments the AI wants to remove are flagged CUT in red; the rest stay KEEP in green. Read them, flip whatever you disagree with.
5

Apply Cut

Click Apply Cut. The cut clips are removed and the gaps closed, in one click.
While the progress modal is open, keep Premiere Pro / DaVinci Resolve in the foreground and don’t touch the timeline. The pipeline is driving your sequence.

Step 1 — Analyze

Model

If a run over-cuts or misses obvious repetitions, change the model and re-run before hand-fixing dozens of segments. Different models make different judgement calls on the same take.

Transcription precision

The small chevron button to the left of Analyze opens the engine menu:

PremiereGPT (standard)

Fast, reliable transcription. Included — no extra credits. The right choice in the vast majority of cases.

+ Advanced word precision

Re-syncs every word to the audio for sharper cut points. Slightly slower and costs extra credits (shown on the button).
Turn on advanced word precision when the cuts land a fraction of a second early or late — typically on fast speech, strong accents, or heavily overlapping delivery. On a calm, well-recorded take, standard is indistinguishable and cheaper.

What the pipeline actually does

The single Analyze button chains three steps, shown live in the progress modal: Both the silences and the AI’s cuts are applied together, later, when you click Apply Cut — so the transcript you review always matches the timeline you’re looking at.
The whole run is billed as one combined charge, and only if it completes. A failed or aborted run doesn’t cost you.

What the AI removes — and what it never touches

Understanding this is what makes the review step fast.

It removes exactly two things

Production pollution

Mic checks, “is it rolling?”, framing chatter, self-direction spoken out loud, asides to whoever is behind the camera, post-take reactions (“was that good?”). Almost always clustered at the very start and the very end of the take.

Repetitions & reformulations

Retakes of the same line, verbatim repeats, and reformulation chains where the speaker searches for the right phrasing. One version survives — usually the most complete one — and the others go.

It never does these

  • Rewrite, rephrase or reorder anything. Your words stay in your order. The only lever is which segments survive.
  • Tighten for style. A segment that is merely slow, long-winded or “could be punchier” is kept. That’s an editing decision, not a cleanup one.
  • Cut a deliberate repetition. Rhetorical triples (“It’s not about speed. It’s not about price. It’s about trust.”) and emphasis (“very, very fast”) stay.
  • Drop new information, even when it’s clumsily phrased.
  • Break a seam. Connector segments (“and that’s why…”, “but the thing is…”) are kept when removing them would make the following line dangle.
The AI is deliberately conservative: keeping a slightly weak segment costs you almost nothing, while dropping a load-bearing one breaks the video. Expect it to leave in things you’d personally cut — that’s the intended bias, and the review pass is where you tighten further.

Step 2 — Review

This is not an optional step. Treat the AI output as a strong first pass, never as a final cut.

Editing the transcript

The Timeline Metrics box tracks the damage live: Del. is how much you’re removing, New Dur. is what the sequence will last after applying.
Review in this order: (1) scan the red blocks at the start and end of the take — that’s where pollution clusters and the AI is almost always right; (2) read the green lines immediately before and after each red block, out loud if you can — that’s where a bad cut shows up; (3) only then hunt for extra fat to trim yourself.

Step 3 — Apply Cut

Apply Cut disables the cut segments and immediately removes the disabled clips, closing the gaps — one click, clean timeline.
Listen back after applying. If a seam jumps, undo (Cmd/Ctrl+Z), flip that segment back to KEEP, and apply again. Don’t re-run the whole analysis for a single bad seam.

Steering the AI with a prompt

The Analyze button in the panel runs the default cleanup — there is no prompt box in the panel. To steer the AI, ask the Copilot in the chat instead:
“Clean up my sequence — remove the bad takes and repetitions, but keep every personal anecdote even if it’s long.”
The Copilot runs the same engine, plus your instruction.

What a steering prompt can do

  • Protect a category of content: “Keep every emotional anecdote and personal story, even the rambling ones.”
  • Protect a topic: “Never cut anything about pricing or the guarantee — I need those beats intact.”
  • Set the aggressiveness: “Be aggressive on the intro and the outro, conservative in the middle.”
  • Choose between duplicates: “When I say something twice, keep the first, more spontaneous version.” (The default keeps the most complete one.)
  • Handle a known habit: “I restart my sentences a lot — drop the false starts.”
  • Flag your workflow: “I always do three takes of each line back to back — keep the last one.”

What a steering prompt cannot do

  • Rewrite or reorder. No rephrasing, no moving a paragraph earlier, no adding a transition word to fix a seam.
  • Hit a target duration. “Cut it down to 5 minutes” will not work — the AI removes what’s removable, not a quota.
  • Cut by timecode. “Cut everything after 12:30” is a timeline operation, not a cleanup one. Do it yourself, or ask the Copilot for a plain cut.
  • Judge delivery. It reads the transcript, not the performance. It can’t know which take had better energy, only which is more complete.
  • Cut for topic. “Remove the part about the competitor” is an editorial decision outside its two rules — do it in the review pass, it’s two clicks.
“[How aggressive]. Protect [content you refuse to lose]. [Any habit of yours worth knowing].”
Example:
“Standard cleanup, slightly aggressive at the start. Protect anything where I give a number or a concrete example. I restart sentences often — keep the last attempt.”
Keep the prompt to two or three sentences of intent. Long, rule-heavy prompts don’t produce a better cut — they mostly make the AI hesitant, and a hesitant pass keeps everything.

Common Pitfalls

  • Several audio tracks with clips → from the Copilot, the run stops and asks you to confirm first. Claude Cut is designed for a single voice track; on a multi-track timeline, check the result carefully.
  • Music or B-roll audio under the voice → transcription quality drops and so does the cut. Mute those tracks before running.
  • Applying without reading → the fastest way to a broken video. The AI over-cuts casual, vlog-style delivery and under-cuts subtle reformulations.
  • Very long takes are processed in batches automatically: the analysis takes longer, the result is the same.
  • Nothing got cut → that’s a valid answer. On a clean, scripted take there may be nothing to remove.
  • Re-running Analyze starts from scratch and discards your manual KEEP/CUT edits. Finish reviewing before you re-run.
Recommended workflow: Sonnet 5 + standard precision → Analyze → review start and end first → Apply Cut → listen back → fix seams with Cmd+Z and a toggle. Move to Opus 4.8 or advanced word precision only when the standard pass disappoints you on that specific footage.